Wojciech Tylbor’s practice revolves around solastalgia and hauntology in the context of the environment in the time of the Anthropocene.
In his linocuts, Tylbor transforms photographs into line halftones, layering color gradients to evoke shifting daylight—a practice inspired by Japanese zen gardens and the tradition of ukiyo-e.
His recent works are landscapes dominated by architecture torn by the forces of nature disrupted by the results of climate change.
Tylbor graduated from the Academy of Fine Arts in Warsaw in 2001 and earned his doctorate in 2010. From 2016 to 2018, he was a Visiting Professor at Indiana University in Bloomington, USA. He is now an associate professor at the Faculty of Graphics in Warsaw.
He has held over twenty solo exhibitions and taken part in around 150 group shows, receiving awards in Canada, Germany, Taiwan, and in 2026 won Grand Prix at the 7th Rene Carcan Print Biennial in Brussels.
Wojciech Tylbor’s practice revolves around solastalgia and hauntology in the context of the environment in the time of the Anthropocene.
In his linocuts, Tylbor transforms photographs into line halftones, layering color gradients to evoke shifting daylight—a practice inspired by Japanese zen gardens and the tradition of ukiyo-e.
His recent works are landscapes dominated by architecture torn by the forces of nature disrupted by the results of climate change.
Tylbor graduated from the Academy of Fine Arts in Warsaw in 2001 and earned his doctorate in 2010. From 2016 to 2018, he was a Visiting Professor at Indiana University in Bloomington, USA. He is now an associate professor at the Faculty of Graphics in Warsaw.
He has held over twenty solo exhibitions and taken part in around 150 group shows, receiving awards in Canada, Germany, Taiwan, and in 2026 won Grand Prix at the 7th Rene Carcan Print Biennial in Brussels.
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