Sarah Duncan draws inspiration from nature, landscape, and the cyclical patterns of our planet to create her work. Seeking beauty in the realms of science, astronomy and geology, her subject matters are composed of key elements that make up the natural world – water, stars, ice and snow, however underlying this are the activities that affect the planet’s fragile equilibrium.
Sarah’s practice is not obviously engaged with worldly issues, working directly to transform the global scale of climate change into a human narrative. But more to have it subtly resonate within her work.
Duncan graduated with a distinction in 2015 with a MA Multi-Disciplinary Printmaking, from the University of the West of England. She has exhibited widely, having her first solo show Syzgy and group exhibitions including, John Ruskin Prize, Royal Academy Summer Exhibition, Derwent Art Prize, and National Original Print Fair.
Duncan says I continue to explore moments of transition and turbulence in the landscape. I choose to show the beauty rather than the devastation, a celebration of what we stand to lose.
Sarah Duncan draws inspiration from nature, landscape, and the cyclical patterns of our planet to create her work. Seeking beauty in the realms of science, astronomy and geology, her subject matters are composed of key elements that make up the natural world – water, stars, ice and snow, however underlying this are the activities that affect the planet’s fragile equilibrium.
Sarah’s practice is not obviously engaged with worldly issues, working directly to transform the global scale of climate change into a human narrative. But more to have it subtly resonate within her work.
Duncan graduated with a distinction in 2015 with a MA Multi-Disciplinary Printmaking, from the University of the West of England. She has exhibited widely, having her first solo show Syzgy and group exhibitions including, John Ruskin Prize, Royal Academy Summer Exhibition, Derwent Art Prize, and National Original Print Fair.
Duncan says I continue to explore moments of transition and turbulence in the landscape. I choose to show the beauty rather than the devastation, a celebration of what we stand to lose.
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