Elvira Rose Oddy's practice encompasses drawing, painting and printmaking and her subject is broadly Landscape. Through her personal experience of wild places, gardens and tidal in-between spaces, she uses drawing to evoke a feeling about a place. She is interested in capturing a sense of the vitality of nature and a certain exhilaration of seeing and feeling through her handling of materials, working intuitively, exploring where painting and drawing meet. Concerns of weather, light and space recur in her work. Drawn to juxtaposition and contrast, she hunts for subjects that resonate with her and somehow suggest a microcosm of our experience, and hint at the mysterious.
Her recent work explores the dreamy in-between creative space that mono-printing provides where mark making, painting and printing collide in a play of intuition and surprise. This way of working allows for Oddy's interest in capturing light, atmosphere and energy on the sensitive surface of the plate.
Elvira Rose Oddy's practice encompasses drawing, painting and printmaking and her subject is broadly Landscape. Through her personal experience of wild places, gardens and tidal in-between spaces, she uses drawing to evoke a feeling about a place. She is interested in capturing a sense of the vitality of nature and a certain exhilaration of seeing and feeling through her handling of materials, working intuitively, exploring where painting and drawing meet. Concerns of weather, light and space recur in her work. Drawn to juxtaposition and contrast, she hunts for subjects that resonate with her and somehow suggest a microcosm of our experience, and hint at the mysterious.
Her recent work explores the dreamy in-between creative space that mono-printing provides where mark making, painting and printing collide in a play of intuition and surprise. This way of working allows for Oddy's interest in capturing light, atmosphere and energy on the sensitive surface of the plate.
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