Andrea-Abbatangelo

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Andrea-Abbatangelo-works-across-printmaking,-installation-and-computational-image-making,-tracing-how-perception-forms-in-non-human-and-more-than-human-worlds. His-practice-moves-in-a-closed-loop-between-the-plate-and-the-machine.-Drypoints-and-antique-microscope-slides-become-the-source-material-for-data-based-models-he-builds-himself;-those-images-then-return-to-the-copper-as-new-prints.-Bees-and-pollinator-cognition-run-throughout,-held-between-Victorian-observation-and-speculative-technology. In-2025-Abbatangelo-was-selected-for-Alias-×-Serpentine-Future-Art-Ecosystems,-training-his-own-generative-models-from-his-drypoints-and-analog-sources.-Serpentine-chose-one-of-the-resulting-images-to-represent-the-selected-cohort.-The-submitted-work-returns-that-imagery-to-printmaking-through-drypoint-and-photo-etching. He-holds-an-MA-Fine-Art:-Digital-with-Distinction-from-Central-Saint-Martins,-UAL-(2023),-supported-by-a-UAL-Postgraduate-Scholarship. His-work-has-been-shown-at-MOCAD-Detroit,-Documenta-13,-Manifesta-11-and-12,-the-57th-Venice-Biennale-Research-Pavilion,-and-Woolwich-Contemporary-Print-Fair-(2022,-2023,-2024),-where-he-exhibited-New-Observations-on-the-History-of-Bees.
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Andrea-Abbatangelo-works-across-printmaking,-installation-and-computational-image-making,-tracing-how-perception-forms-in-non-human-and-more-than-human-worlds. His-practice-moves-in-a-closed-loop-between-the-plate-and-the-machine.-Drypoints-and-antique-microscope-slides-become-the-source-material-for-data-based-models-he-builds-himself;-those-images-then-return-to-the-copper-as-new-prints.-Bees-and-pollinator-cognition-run-throughout,-held-between-Victorian-observation-and-speculative-technology. In-2025-Abbatangelo-was-selected-for-Alias-×-Serpentine-Future-Art-Ecosystems,-training-his-own-generative-models-from-his-drypoints-and-analog-sources.-Serpentine-chose-one-of-the-resulting-images-to-represent-the-selected-cohort.-The-submitted-work-returns-that-imagery-to-printmaking-through-drypoint-and-photo-etching. He-holds-an-MA-Fine-Art:-Digital-with-Distinction-from-Central-Saint-Martins,-UAL-(2023),-supported-by-a-UAL-Postgraduate-Scholarship. His-work-has-been-shown-at-MOCAD-Detroit,-Documenta-13,-Manifesta-11-and-12,-the-57th-Venice-Biennale-Research-Pavilion,-and-Woolwich-Contemporary-Print-Fair-(2022,-2023,-2024),-where-he-exhibited-New-Observations-on-the-History-of-Bees.