Screenprint On Tulle Edition of Dimensions (WxH): 150 x 170cm
My work is a loose, expressive form of geometric abstraction, made using silkscreen printmaking.
A love of vibrant colour and off-kilter repetition has been part of me since childhood, but in an ever-more artificial and filtered world, seeing and feeling the hand of the maker seems more important than ever. Whether on paper and canvas or experimenting with tulle and chiffon, with every pull of the squeegee I’m looking to capture moments of energy, eschewing design and perfection for a looseness and spontaneity.
Being ‘over-sensitive’ with a 'heightened sensitivity to injustice’ means that inequality and division doesn’t sit well with me. My work addresses this boldly, celebrating unity in difference, presenting a more joyful and optimistic vision. The Seneca phrase we are waves of the same sea chimes loudly, informing a recurring theme and motif.
Minimal in form and generous in their use of colour, I’m aiming for a physicality from looking at my prints, for people to feel the motion and visual energy. It’s work to be experienced rather than explained, and rewards repeated viewing.
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Screenprint On Tulle Edition of Dimensions (WxH): 150 x 170cm
My work is a loose, expressive form of geometric abstraction, made using silkscreen printmaking.
A love of vibrant colour and off-kilter repetition has been part of me since childhood, but in an ever-more artificial and filtered world, seeing and feeling the hand of the maker seems more important than ever. Whether on paper and canvas or experimenting with tulle and chiffon, with every pull of the squeegee I’m looking to capture moments of energy, eschewing design and perfection for a looseness and spontaneity.
Being ‘over-sensitive’ with a 'heightened sensitivity to injustice’ means that inequality and division doesn’t sit well with me. My work addresses this boldly, celebrating unity in difference, presenting a more joyful and optimistic vision. The Seneca phrase we are waves of the same sea chimes loudly, informing a recurring theme and motif.
Minimal in form and generous in their use of colour, I’m aiming for a physicality from looking at my prints, for people to feel the motion and visual energy. It’s work to be experienced rather than explained, and rewards repeated viewing.
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