Cathy King | Wave (After Yoshida Chisuko)

£220.00
Woodcut And Linocut
Edition of 6
Dimensions (WxH): 45 x 38.5cm

Cathy King is a Devon-based printmaker whose work explores the British landscape through relief printmaking. Developed at the Double Elephant Print Studio in Exeter, her practice is rooted in direct engagement with the natural world—especially the coastline—where observation evolves into abstraction, evoking a sense of place through form, colour, and line. Her series of bird linocuts are more representational yet maintain a strong graphic quality, reflecting an interest in clean lines and the expressive potential of simplified form. Combining figurative and abstract elements, the work bridges the gap between real and imagined vistas, inviting an emotional response to the environment. King is an active exhibiting member at MAKE Southwest in Devon and currently exhibits commercially at Cambridge Contemporary Art. She draws inspiration from the dynamic compositions of the Grosvenor School, the landscape illustrations of Robert Tavener and John Piper, and the abstraction of Peter Green.
Woodcut And Linocut
Edition of 6
Dimensions (WxH): 45 x 38.5cm

Cathy King is a Devon-based printmaker whose work explores the British landscape through relief printmaking. Developed at the Double Elephant Print Studio in Exeter, her practice is rooted in direct engagement with the natural world—especially the coastline—where observation evolves into abstraction, evoking a sense of place through form, colour, and line. Her series of bird linocuts are more representational yet maintain a strong graphic quality, reflecting an interest in clean lines and the expressive potential of simplified form. Combining figurative and abstract elements, the work bridges the gap between real and imagined vistas, inviting an emotional response to the environment. King is an active exhibiting member at MAKE Southwest in Devon and currently exhibits commercially at Cambridge Contemporary Art. She draws inspiration from the dynamic compositions of the Grosvenor School, the landscape illustrations of Robert Tavener and John Piper, and the abstraction of Peter Green.