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Yimin Xiang | The SSZ

£705.00
Photopolymer
Edition of 5
Dimensions (WxH): 81 x 58cm

Yimin Xiang is an artist, printmaker, and researcher currently completing a PhD at the Glasgow School of Art. His research investigates the intersections of printmaking, archival theory, and contemporary visual culture. Recent exhibitions include the solo exhibition A Hesitant Conclusion at New Glasgow Society, Glasgow. His practice was also selected for New Contemporaries 2026, exhibited at the South London Gallery and MIMA, Middlesbrough, alongside group exhibitions including the RSA Annual Exhibition, Edinburgh (2025), and the SGSAH-funded research showcase (2025). He has presented his research at the Association for Art History Annual Conference, University of Cambridge, on the panel titled 'Critique, Homage, Iconoclasm? The Reuse of 19th-Century Photography in Contemporary Art and Visual Culture' (2026). Working primarily through printmaking and photography, his work looks at what happens to archival images when they are copied, enlarged, and printed again, and how these material processes change the way we see and remember them.
Photopolymer
Edition of 5
Dimensions (WxH): 81 x 58cm

Yimin Xiang is an artist, printmaker, and researcher currently completing a PhD at the Glasgow School of Art. His research investigates the intersections of printmaking, archival theory, and contemporary visual culture. Recent exhibitions include the solo exhibition A Hesitant Conclusion at New Glasgow Society, Glasgow. His practice was also selected for New Contemporaries 2026, exhibited at the South London Gallery and MIMA, Middlesbrough, alongside group exhibitions including the RSA Annual Exhibition, Edinburgh (2025), and the SGSAH-funded research showcase (2025). He has presented his research at the Association for Art History Annual Conference, University of Cambridge, on the panel titled 'Critique, Homage, Iconoclasm? The Reuse of 19th-Century Photography in Contemporary Art and Visual Culture' (2026). Working primarily through printmaking and photography, his work looks at what happens to archival images when they are copied, enlarged, and printed again, and how these material processes change the way we see and remember them.