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Asma Mahmud Hashmi | Routes of Repair
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Monoprint
Edition of
Dimensions (WxH): 70 x 70cm
Asma Mahmud Hashmi is an artist and educator whose interdisciplinary practice spans printmaking, installation and textiles. Born in Pakistan and now based in the UK, her work is shaped by experiences of migration, cultural memory, and identity. She holds a Master of Fine Arts from the University of Hawaii, awarded through the East-West Center Graduate Degree Fellowship, and a Bachelor of Fine Arts from the National College of Arts, Pakistan.
Hashmi’s practice investigates themes of displacement, belonging, repair, and resilience through material processes that emphasise touch, repetition, and transformation. Her recent work explores the complex histories of chintz, migration, colonialism, and cultural exchange, using printmaking, textiles and embossing to examine how materials carry traces of memory and narratives of movement. Through layering, fragmentation, and reconstruction, she reflects on unsettled histories and the ways personal and collective identities are formed.
Alongside her studio practice, Hashmi teaches printmaking and leads workshops for museums, community organisations, and adult learners, encouraging experimentation and creative engagement. She has exhibited internationally and continues to develop projects that connect personal histories with broader social and cultural questions.
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Monoprint
Edition of
Dimensions (WxH): 70 x 70cm
Asma Mahmud Hashmi is an artist and educator whose interdisciplinary practice spans printmaking, installation and textiles. Born in Pakistan and now based in the UK, her work is shaped by experiences of migration, cultural memory, and identity. She holds a Master of Fine Arts from the University of Hawaii, awarded through the East-West Center Graduate Degree Fellowship, and a Bachelor of Fine Arts from the National College of Arts, Pakistan.
Hashmi’s practice investigates themes of displacement, belonging, repair, and resilience through material processes that emphasise touch, repetition, and transformation. Her recent work explores the complex histories of chintz, migration, colonialism, and cultural exchange, using printmaking, textiles and embossing to examine how materials carry traces of memory and narratives of movement. Through layering, fragmentation, and reconstruction, she reflects on unsettled histories and the ways personal and collective identities are formed.
Alongside her studio practice, Hashmi teaches printmaking and leads workshops for museums, community organisations, and adult learners, encouraging experimentation and creative engagement. She has exhibited internationally and continues to develop projects that connect personal histories with broader social and cultural questions.
