Andrea G Artz | Lost in Nebulous Time Tableaux One
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Folded Waterbased Japanese Woodcut/ Mokuhanga On Awagami Hosho And Japanese Proofing Paper, Bookbinding Glue Edition of Dimensions (WxH): 109 x 25.4cm
Andrea G Artz is a multimedia artist whose practice explores humanity’s relationship with the natural world and the cyclical processes of creation, destruction, and regeneration.
At the core of Artz work is a distinctive folding technique that deconstructs and reimagines visual space through Cubist-inspired folds and angular geometries. This visual language has evolved beyond physical media into digital and immersive environments.
In Lost in Nebulous Time, she uses mokuhanga woodblock printing to create transparent layers of colour, bokashi gradients, and woodgrain texture on Awagami Hosho paper whose flexibility make it ideally suited to folding into sculptural forms. Silhouettes and negative cut-outs derived from screenshots of the digital world, together with folded three-dimensional elements, create shifting spatial relationships activated by the interplay of light and shadow.
Artz completed her MFA at the University of Leeds in 2009 and has been awarded a MacDowell Fellowship and received an ACE Lottery Project Grant.
Her work has been exhibited at Woolwich Print Fair (2025), the Royal Academy Summer Exhibition, Towner Eastbourne, Coleman Project Space, the University of Leeds, A.P.T., and Thameside Gallery.
Her work is held in collections of the Museum of London, the Charles Dickens Museum, and the Museum of Fine Arts, Houston.
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Folded Waterbased Japanese Woodcut/ Mokuhanga On Awagami Hosho And Japanese Proofing Paper, Bookbinding Glue Edition of Dimensions (WxH): 109 x 25.4cm
Andrea G Artz is a multimedia artist whose practice explores humanity’s relationship with the natural world and the cyclical processes of creation, destruction, and regeneration.
At the core of Artz work is a distinctive folding technique that deconstructs and reimagines visual space through Cubist-inspired folds and angular geometries. This visual language has evolved beyond physical media into digital and immersive environments.
In Lost in Nebulous Time, she uses mokuhanga woodblock printing to create transparent layers of colour, bokashi gradients, and woodgrain texture on Awagami Hosho paper whose flexibility make it ideally suited to folding into sculptural forms. Silhouettes and negative cut-outs derived from screenshots of the digital world, together with folded three-dimensional elements, create shifting spatial relationships activated by the interplay of light and shadow.
Artz completed her MFA at the University of Leeds in 2009 and has been awarded a MacDowell Fellowship and received an ACE Lottery Project Grant.
Her work has been exhibited at Woolwich Print Fair (2025), the Royal Academy Summer Exhibition, Towner Eastbourne, Coleman Project Space, the University of Leeds, A.P.T., and Thameside Gallery.
Her work is held in collections of the Museum of London, the Charles Dickens Museum, and the Museum of Fine Arts, Houston.