Watercolour Monotype On Hanhemuhle Etching Paper 300Gsm Edition of Dimensions (WxH): 74 x 127cm
Claire Hankey is a British mixed-media artist whose work explores the quiet imprint of landscape through painting and printmaking. Drawing on botanical forms and fragments of remembered places, she creates atmospheric works that invite stillness and close looking.
Hankey's recent work brings printmaking to the forefront of her practice. Following a residency at The Art Print Residence, Barcelona (2026), she has developed processes in photopolymer etching, drypoint, watercolour monotype and botanical monoprinting. Using plant forms as a starting point, she translates organic structures into etched plates, where line, light and texture become integral.
These printed elements are often combined with painting, handmade marks, vintage papers and photographic traces, creating layered compositions that shift between precision and softness. Through processes of layering and reworking, each piece evolves slowly, allowing forms to emerge with varying degrees of clarity and softness. The work reflects an ongoing interest in what is partially seen or remembered, inviting the viewer to pause and uncover what lies beneath the surface.
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Watercolour Monotype On Hanhemuhle Etching Paper 300Gsm Edition of Dimensions (WxH): 74 x 127cm
Claire Hankey is a British mixed-media artist whose work explores the quiet imprint of landscape through painting and printmaking. Drawing on botanical forms and fragments of remembered places, she creates atmospheric works that invite stillness and close looking.
Hankey's recent work brings printmaking to the forefront of her practice. Following a residency at The Art Print Residence, Barcelona (2026), she has developed processes in photopolymer etching, drypoint, watercolour monotype and botanical monoprinting. Using plant forms as a starting point, she translates organic structures into etched plates, where line, light and texture become integral.
These printed elements are often combined with painting, handmade marks, vintage papers and photographic traces, creating layered compositions that shift between precision and softness. Through processes of layering and reworking, each piece evolves slowly, allowing forms to emerge with varying degrees of clarity and softness. The work reflects an ongoing interest in what is partially seen or remembered, inviting the viewer to pause and uncover what lies beneath the surface.