Lithograph On Shoji Layers Edition of 1 Dimensions (WxH): 1.8 x 1.8cm
Caroline AreskogJones practice is described as ‘fieldwork’ : using the language of print for unearthing and discovery.
Deliberately challenging accepted visual heirarchies, a body of works emerge through research as a material response including drawing, traditional relief or intaglio print, projected moving image or 3D form. Each exist autonomously or collectively as a conversation. and print is seen as a means of challenging stability where meaning can become lost in translation or disrupted between layers .
The series in this submission originate from time at the Natural History Special Collection, supported by Arts Council England, many works yet unseen. Responding to the fragile physicalities of the Cetacean community, questions regarding conservation, preservation and mythologies in natural history collections have risen to the surface.
AreskogJones achieved 1st class hons Fine Art (Central Saint Martins) : Distinction, Print MA (Royal College Art , 2019). Incorporating previous professional backgrounds in movement practice and structural anatomy alongside caring responsibilities, time has been used to advantage through an archeological approach to practice. Residencies, talks, awards and exhibition opportunities have supported professional development. Works are currently held in private and public collections including Hearsum Collection, British Museum, Salisbury Museum Deposition, Morley College and RCA.
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Lithograph On Shoji Layers Edition of 1 Dimensions (WxH): 1.8 x 1.8cm
Caroline AreskogJones practice is described as ‘fieldwork’ : using the language of print for unearthing and discovery.
Deliberately challenging accepted visual heirarchies, a body of works emerge through research as a material response including drawing, traditional relief or intaglio print, projected moving image or 3D form. Each exist autonomously or collectively as a conversation. and print is seen as a means of challenging stability where meaning can become lost in translation or disrupted between layers .
The series in this submission originate from time at the Natural History Special Collection, supported by Arts Council England, many works yet unseen. Responding to the fragile physicalities of the Cetacean community, questions regarding conservation, preservation and mythologies in natural history collections have risen to the surface.
AreskogJones achieved 1st class hons Fine Art (Central Saint Martins) : Distinction, Print MA (Royal College Art , 2019). Incorporating previous professional backgrounds in movement practice and structural anatomy alongside caring responsibilities, time has been used to advantage through an archeological approach to practice. Residencies, talks, awards and exhibition opportunities have supported professional development. Works are currently held in private and public collections including Hearsum Collection, British Museum, Salisbury Museum Deposition, Morley College and RCA.
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