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Tanja Softic | A Sound Like Mighty Rushing Wind
Aquatint, Spit-Bite, Chiyogami And Digital Photo Collage
Edition of 5
Dimensions (WxH): 132 x 56cm
Tanja Softić is a visual artist working across printmaking, drawing, collage, and installation. She studied at the Academy of Fine Arts at the University of Sarajevo and earned an MFA in Printmaking from Old Dominion University in Norfolk, Virginia. She worked as a printer at the Kathy Caraccio Printmaking Studio in New York and has received grants, including a Pollock-Krasner Grant, a National Endowment for the Arts Fellowship, and a Soros Foundation/Open Society Institute grant. Her work is included in numerous public and private collections, including the New York Public Library, the Library of Congress Print Department, and the Art Gallery of New South Wales in Sydney, Australia.
Her work explores migration and memory, unstable landscapes, and the shifting relationship among natural, political, and psychological environments. Working through layered imagery, collage, and shifts in scale, she creates fragmented spaces inhabited by living forms, maps, architectural structures, signs, and other migrating elements suspended between collapse and transformation.
She lives and works in Richmond, Virginia, where she is the Tucker-Boatwright Professor of Art at the University of Richmond.
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Aquatint, Spit-Bite, Chiyogami And Digital Photo Collage
Edition of 5
Dimensions (WxH): 132 x 56cm
Tanja Softić is a visual artist working across printmaking, drawing, collage, and installation. She studied at the Academy of Fine Arts at the University of Sarajevo and earned an MFA in Printmaking from Old Dominion University in Norfolk, Virginia. She worked as a printer at the Kathy Caraccio Printmaking Studio in New York and has received grants, including a Pollock-Krasner Grant, a National Endowment for the Arts Fellowship, and a Soros Foundation/Open Society Institute grant. Her work is included in numerous public and private collections, including the New York Public Library, the Library of Congress Print Department, and the Art Gallery of New South Wales in Sydney, Australia.
Her work explores migration and memory, unstable landscapes, and the shifting relationship among natural, political, and psychological environments. Working through layered imagery, collage, and shifts in scale, she creates fragmented spaces inhabited by living forms, maps, architectural structures, signs, and other migrating elements suspended between collapse and transformation.
She lives and works in Richmond, Virginia, where she is the Tucker-Boatwright Professor of Art at the University of Richmond.