Image 1 of 1
Image 1 of 1
Image 1 of 1
Image 1 of 1
Etching
Media Dimensions: 18 x 13 x 5 cm
Image Dimensions: 18 x 13 cm
Limited edition of 2
Split your payment over 10 months with OwnArt 0% APR. Your monthly payment for this artwork would be £30.00.
Zimu Fang (b. 2002, Wuhan, China) is an artist whose practice explores the psychological and cultural experience of displacement through printmaking. Moving between China, the United States, and the UK has shaped her understanding of landscape as something unstable; both a physical place and a space shaped by memory, distance, and belonging. Working primarily with etching, Fang constructs ambiguous, often disembodied landscapes in which familiar forms become difficult to locate. Solitary trees, fields, horizons, and fragments of terrain recur throughout her work, functioning less as representations of specific places than as traces of an uncertain sense of home. Her practice is concerned with how images are transformed through processes of making, translation, and material intervention. Rather than treating printmaking as a fixed medium, Fang uses its processes to question how visual language carries, alters, and produces meaning across different cultural contexts. Fang holds a BFA in Printmaking from Rhode Island School of Design and an MA in Print from the Royal College of Art.
Etching
Media Dimensions: 18 x 13 x 5 cm
Image Dimensions: 18 x 13 cm
Limited edition of 2
Split your payment over 10 months with OwnArt 0% APR. Your monthly payment for this artwork would be £30.00.
Zimu Fang (b. 2002, Wuhan, China) is an artist whose practice explores the psychological and cultural experience of displacement through printmaking. Moving between China, the United States, and the UK has shaped her understanding of landscape as something unstable; both a physical place and a space shaped by memory, distance, and belonging. Working primarily with etching, Fang constructs ambiguous, often disembodied landscapes in which familiar forms become difficult to locate. Solitary trees, fields, horizons, and fragments of terrain recur throughout her work, functioning less as representations of specific places than as traces of an uncertain sense of home. Her practice is concerned with how images are transformed through processes of making, translation, and material intervention. Rather than treating printmaking as a fixed medium, Fang uses its processes to question how visual language carries, alters, and produces meaning across different cultural contexts. Fang holds a BFA in Printmaking from Rhode Island School of Design and an MA in Print from the Royal College of Art.
