Image 1 of 1
Image 1 of 1
Image 1 of 1
Image 1 of 1
Monotype
Media Dimensions: 25 x 18 cm
Image Dimensions: 25 x 18 cm
Unique work
Split your payment over 10 months with OwnArt 0% APR. Your monthly payment for this artwork would be £35.00.
I work across art forms. My recent work uses painting, drawing, printmaking and puppetry. I have a printing press in my studio and make linocuts, woodcuts, wood engravings, monoprints and monotypes. I have exhibited internationally, as well as extensively in the U.K. and my work is held in private and public collections including the Women’s Art Collection, the University of Edinburgh Art Collection, the National Trust, the libraries of the Royal Horticultural Society and Tate Britain and many more. I sing and have a particular interest in trying to capture something of the joy of music making. My process is itself receptive and musical, a form of dancing with what arises. I collaborate with circumstances and merge my skills and sensibility with the immediacy of my embodied experience of the world. I work from what I see, I hear, I remember, I feel and I imagine. My art is about living things and the relationships between living things; it is about breath, pulse, rhythm, pace and play. It explores the beauty, fragility and uncertainty of our perceptual worlds, often from the fool’s perspective.
Monotype
Media Dimensions: 25 x 18 cm
Image Dimensions: 25 x 18 cm
Unique work
Split your payment over 10 months with OwnArt 0% APR. Your monthly payment for this artwork would be £35.00.
I work across art forms. My recent work uses painting, drawing, printmaking and puppetry. I have a printing press in my studio and make linocuts, woodcuts, wood engravings, monoprints and monotypes. I have exhibited internationally, as well as extensively in the U.K. and my work is held in private and public collections including the Women’s Art Collection, the University of Edinburgh Art Collection, the National Trust, the libraries of the Royal Horticultural Society and Tate Britain and many more. I sing and have a particular interest in trying to capture something of the joy of music making. My process is itself receptive and musical, a form of dancing with what arises. I collaborate with circumstances and merge my skills and sensibility with the immediacy of my embodied experience of the world. I work from what I see, I hear, I remember, I feel and I imagine. My art is about living things and the relationships between living things; it is about breath, pulse, rhythm, pace and play. It explores the beauty, fragility and uncertainty of our perceptual worlds, often from the fool’s perspective.
