Image 1 of 1
Image 1 of 1
Image 1 of 1
Image 1 of 1
Screenprint (Monoprint)
Media Dimensions: 110 x 110 x 20 cm
Image Dimensions: 110 x 110 cm
Unique work
Split your payment over 10 months with OwnArt 0% APR. Your monthly payment for this artwork would be £450.00.
Caroline Macdonald is an Oxford/ London based printmaker. She uses the language of error; the slip and blur of the digital glitch to create chromatic fissures which dissolve the usual boundaries between past and present, object and image, physical and digital. She treats the museum like a garden, a site of cultivation, harvesting artifacts and imagery ripe for the picking to reflect on her personal history and our collective moment. Drawing, photography and painting begin the process, capturing fragments in galleries. Back in the studio, these are unravelled and reconstructed with digital and photographic technology. Like a trompe-l'œil, her process can look entirely digital, in fact it is very carefully constructed from analogue print techniques. Caroline has exhibited in multiple group exhibitions and print fairs in the UK. She is the recipient of the Macfarlanes Art Prize (First prize, 2026) with New Platform Art and the editorial prize as part of the RBSA Print Biennale 2024 awarded by Printmaking Today. She holds an MA in Print from the Royal College of Art
Screenprint (Monoprint)
Media Dimensions: 110 x 110 x 20 cm
Image Dimensions: 110 x 110 cm
Unique work
Split your payment over 10 months with OwnArt 0% APR. Your monthly payment for this artwork would be £450.00.
Caroline Macdonald is an Oxford/ London based printmaker. She uses the language of error; the slip and blur of the digital glitch to create chromatic fissures which dissolve the usual boundaries between past and present, object and image, physical and digital. She treats the museum like a garden, a site of cultivation, harvesting artifacts and imagery ripe for the picking to reflect on her personal history and our collective moment. Drawing, photography and painting begin the process, capturing fragments in galleries. Back in the studio, these are unravelled and reconstructed with digital and photographic technology. Like a trompe-l'œil, her process can look entirely digital, in fact it is very carefully constructed from analogue print techniques. Caroline has exhibited in multiple group exhibitions and print fairs in the UK. She is the recipient of the Macfarlanes Art Prize (First prize, 2026) with New Platform Art and the editorial prize as part of the RBSA Print Biennale 2024 awarded by Printmaking Today. She holds an MA in Print from the Royal College of Art