Aquatint

Media Dimensions: 30 x 40 x 0.1 cm

Image Dimensions: 15 x 24.5 cm

Limited edition of 30

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Printmaker and illustrator, Hélène Bautista works for galleries and editors, with intaglio art print as well as with linocut, according to the project or an idea she wants to explore into variations. The relation to materials is a guide to her creations, and it is essential for her so she can go into and through langages and ideas. She teaches engraving and printmaking for Ville de Paris and for the Cité Internationale des Arts (Paris) for artists in residence.

Aquatint (Etching)

Media Dimensions: 25.5 x 22 cm

Image Dimensions: 13 x 14 cm

Limited edition of 15 + 5 APs

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Ian Brooks works with traditional sugar-lift and spit-bite aquatint to make atmospheric landscape etchings. Drawn to remote locations, in particular the polar regions, he aims to evoke the unique sense of place specific to a given location and time - responding to the weather as much as geography. Based on close observation and drawing, the specificity of each piece is important - capturing an impression of what was observed and experienced at the time. Ian was awarded the New Light Printmaker’s Prize in 2020, a New Light bursary prize in 2025, the Original Print Prize at the ING Discerning Eye exhibition 2020, and the People’s Printmaker prize by vote of visitors to the Flourish Award for Excellence in Printmaking exhibition, 2022.

Monotype

Media Dimensions: 46 x 58 x 0.5 cm

Image Dimensions: 30 x 40 cm

Unique work

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Mainly working on paper, I like to explore and reflect our screen based culture in a playful and instinctive way. Often contrasting the slickness of those online spaces with the roughness of unpredictable monotype printing and torn up collage; I’m interested in the pressures, the voyeuristic pleasures, and the isolation that often come along with the contemporary world. The aspirational images that bombard us and that we ourselves create. Watching a pool party that we aren’t invited to, therapy confessions, messy reality television relationships playing out as we watch on. In this series I have combined water- based ink monotypes with direct ink drawing. The pigment seeps out. It pools and drips. In these works, odd couples inhabit artificial tableaux-like scenes. Bathers, self-conscious in the spotlight; posturing and preening. Oddly disconnected but caught in a performative, relationship dance.

Photo Etching

Media Dimensions: 40 x 50 cm

Image Dimensions: 29.5 x 39.5 cm

Limited edition of 30

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Hammer (Chenxi) Chen is a Bristol and Shanghai-based artist whose practice spans printmaking, installation and video. She works between print studios and exhibition spaces internationally. Hammer’s work explores themes of memory and travel. Working primarily with copper photogravure etching, a rare process known for its rich tonal depth and archival qualities, she creates images that hover between documentation and recollection. The medium’s cinematic qualities evoke a sense of nostalgia, allowing her to explore how lived experiences are transformed through memory. Her images are not simply records of reality, rather, they are reconstructed memories shaped by personal experiences and collective narratives. Her work has been exhibited widely in galleries and art fairs across the UK and internationally, including the RA Summer Exhibition, the London Original Print Fair, and the International Original Print Exhibition. In September 2024, Hammer was invited to Gothenburg, Sweden, where she presented a solo exhibition at Grafik i Väst Gallery. Most recently, she presented her solo exhibition Light of Magic at Spike Island, Bristol. Alongside her printmaking practice, Hammer also works across video, animation, and installation. Her installation Peeling was featured in Flora Fantastica, presented by Swatch during the Venice Biennale 2026 at Giardini Reali, Venice.

Photopolymer

Media Dimensions: 33 x 46 cm

Image Dimensions: 15 x 21 cm

Limited edition (with variations) of 20 + 2 APs

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Angela Crosti is a London-based photographic artist and printmaker. Her work explores human relationships, landscape, and the sense of place, often rooted in the domestic sphere. Informed by personal reflection as well as literature, philosophy, and poetry, her practice is grounded in a slow, process-led approach. Working with analogue processes and photopolymer gravure, she investigates the expressive and material possibilities of the medium. Her photopolymer gravures are intimate, closely framed prints from her negatives, where the image becomes a tactile object to breathe and exist in space, taking on a new form. Meaning is carried as much by material as by subject. Within this interaction, she seeks to create spaces of stillness where the viewer can pause, reflect, and connect on a personal level. Angela holds a BA (Hons) First Class in Photography from the University of Westminster, following an MA in Economics. Her work has been exhibited internationally. She was a finalist at La Forma del Ritratto (2026), Small But Mighty (2026, 2025 and 2024), Woolwich The Director’s Cut (2025), PhotoFrome Festival (2025), Bath Festival of the Arts (2025), International Original ArtPrint (2024). She was also shortlisted for the Royal Photographic Society IPE 165 and the AOP Talent Awards (2023).

Photo Etching (Photopolymer)

Media Dimensions: 30 x 42 x 0.3 cm

Image Dimensions: 15 x 21 cm

Limited edition (with unique variations) of 5 + 2 APs

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Julie Derbyshire is a photographic artist based in London. She holds an MA Photography, London College of Communication (UAL) and a BA Photography, University of Westminster and works from a studio based at the historic Chiswick House and Gardens. She exhibits regularly in the UK and internationally and her work is held in private collections. Amongst a number of recognitions, she has been a finalist in the Arte Laguna Prize Venice and the Travers Smith Art Awards and was awarded the Photofusion Prize. Julie works in the genres of still life and landscape photography and her practice is research based and process led. Informed by art history and her own lived experience, she explores themes of fragility, transience and the universality of our shared human condition. She employs the medium of photography as the final distillation of a creative process that encompasses acts of fabrication, manipulation and disruption and experiments with different techniques, materials and visualisations to suit each series of work. She approaches photography as an instrument of illusion, to beguile rather than document. By exploring the potential of the photographic object to conjure new meaning, she invites the viewer to reflect and to question what lies beyond the image.

Monoprint (Screenprint)

Media Dimensions: 70 x 50 cm

Image Dimensions: 60 x 40 cm

Unique work

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Originally from Belgium, Marie is a painter and printmaker based in South East London. Her work navigates between abstract and figurative often returning to recurring themes of flowers, plant life, mountains, and landscapes. Through her art, she captures experiences with nature and people, translating them into vibrant, playful bursts of colour. Marie has been printmaking for over 10 years, recently specialising in Monoprinting which includes combining brushwork with screen printing techniques. Her process is intuitive and expressive; she paints freely onto a blank screen, before transferring the image onto paper. She loves mixing new colours, building up layered textures and embracing the unpredictable effects of the ink pressing onto the paper.

Monotype (Engraving, Laser Cut)

Media Dimensions: 22.5 x 28 x 2.5 cm

Image Dimensions: 24 x 29.5 cm

Unique work

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I work with painting, printmaking and sculpture, informed by sound and landscape. I explore ideas surrounding the hierarchy of the senses within my practice, interested in encounters between body and place; in how we navigate, physically, imaginatively and intuitively. My work draws on ecological themes. I frequently document sites using sound and, through a listening and response process, create drawings that function as a graphic score or rhythmic abstraction of place. Attentive listening is seen as an act of care. Resulting in a gestural outcome, a ‘listening drawing’ practice reflects on physical change, perceived or otherwise, that takes place in the body as a consequence of sound and vibration. In a noisy world, this practice is a quiet action in search of connection, seeking to actively ‘tune in’. It is understood as a way to build a relational practice between interior and exterior, human - non-human, self and other.

3D Print

Media Dimensions: 17 x 20 x 12 cm

Image Dimensions: 17 x 20 cm

Unique work

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b. 1994, Londrina, Brazil Influenced by her personal experience of moving across different South American countries and the UK, Isabella Lozano’s work explores subjects such as representation and the performance of identity, cultural in-betweenness, belonging and non-belonging, social nuances, notions of high and low status, and the tension between economic gain and its environmental and social consequences. Working across print, photography, and installation, her practice and research investigate the narrative power of everyday objects as symbolic actors and cultural signifiers, and how, through their consumption and disposal, meaning is assigned, circulated, and distorted. Drawing on a background in graphic and set design for the film industry, she is interested in exploring the ways advertising and media both reflect and shape behaviours and identities, as well as how ideals circulate through commercial exchange, with a particular focus on the relationship between South America and the Global North. Using humour and absurdity as a method, Lozano situates her practice within the context of the mundane, exploring the coexistence of tragedy and comedy present in everyday life to create alternative storylines that highlight contradictions and question systems of value.

Woodcut

Media Dimensions: 48 x 38 x 5 cm

Image Dimensions: 48 x 38 cm

Limited edition of 20

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Jake Garfield (b. 1990) is a London-based artist working across printmaking, drawing and painting. Boxers, pictures within pictures and damask patterns are recurring motifs in a practice that reflects on themes of masculinity, artistic persona and selfhood. Jake’s work has been acquired by major institutions including the British Museum, the Royal Collection, Fitzwilliam Museum, Pallant House Gallery and the V&A Museum.

Lithograph

Media Dimensions: 24 x 34 cm

Image Dimensions: 24 x 34 cm

Limited edition of 30 + 3 APs

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Georgia Green (b. 1996) graduated from Glasgow School of Art in 2018. As a printmaker Georgia uses her art to unravel and dramatise everyday interiors from her life, questioning notions of intimacy, belonging and confinement through the glaze of domesticity and sentimentalism. Her painterly prints play with sunlight, lamplight and candlelight, endlessly drawn to the softness of illumination. Enclosed by these scenes Georgia is drawn into the warmth of her childhood; filling empty rooms with colourful figures and animals she collects from children's books, novels, poetry, films and dreams. In these painterly reveries memories and imagination start to overlap playfully, illuminating the chimerical tangle of curiosity and longing that prompts each artwork. Georgia specialises in planographic printmaking. Contemporary examples of this technique include silkscreen and risography. A more traditional example is stone lithography. Since 2023 lithography has been classified as a red list endangered heritage craft in the UK. Georgia has an AA2a artist residency placement at the University of Lancashire which retains the last academic stone lithography department in the North of England. Georgia’s practice weaves together her knowledge across all three planographic printmaking techniques, strengthening her capabilities in each medium.

Photopolymer

Media Dimensions: 37 x 56.99 x 0.01 cm

Image Dimensions: 24 x 23.99 cm

Limited edition of 90 + 9 APs

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Henry Hagger enjoys the freedom of working in a wide range of media. Using a variety of printmaking techniques, his current focus is on celebrating the beauty of ancient cathedrals, minsters, abbeys and churches. He hopes to encourage the viewer to marvel at this priceless legacy, and to remember the skilled craftsmen who made these irreplaceable buildings. Henry studied with the late Peter Freeth R.A, R.E, the late Peter Green O.B.E, R.E. and Colin Gale R.E. He has exhibited widely; The Royal Academy, the Royal Scottish Academy, the Whitechapel, the Serpentine, the Bankside, The Mall galleries, Bath Open, Wells Contemporary, Woolwich Contemporary Print Fair. And shown with : The Royal Society of Painter-Printmakers, the Royal Society of Marine Painters, the New English Art Club, the Royal Watercolour Society, the Royal Institute of British Architects, the Pastel Society, the Society of Graphic Fine Art, the Royal Society of British Artists. Competition Finalist : Laing Landscape, Sunday Times Watercolour, Department of Transport, Arts Council 'Art into Landscape' (in association with sculptor Michael Wright), Discerning Eye, Wells Contemporary, Bath Open, Derwent Drawing Prize, International Original Print, Woolwich Contemporary Print Fair,

Etching

Media Dimensions: 26 x 23 cm

Image Dimensions: 20 x 15 cm

Limited edition of 10 + 1 APs

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Emily Kirby’ practice moves between an exploration into mark making and form and playful narratives around female connection and intimacy. Her etchings often elicit a distinct sense of place and environment in which her subjects dwell. Having lived and worked in different countries, Kirby’s work exhibits connectivity and a sensitive appreciation of people and places she knows well, and frequently returns to in her work. Having worked predominantly as a painter for that past twenty years, learning the process of etching has greatly enriched her over all practice and how she now approaches constructing a body of work. Emily is currently represented by Columbia Road Gallery and Wondering People in London and Otomys Gallery in Melbourne.

Photopolymer

Media Dimensions: 40 x 52 x 0.2 cm

Image Dimensions: 30 x 42 cm

Limited edition of 25

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Lindsey’s creative practice explores the relationship between printmaking and photography. Working with photopolymer etching plates, she achieves rich textures and continuous tones that honour traditional printmaking techniques while embracing modern technological possibilities. She welcomes both the technical challenges and serendipitous discoveries that are integral to printmaking, allowing these unexpected moments to guide and enrich her artistic exploration. Lindsey’s work captures the impact of light across two distinct yet interconnected themes. She enjoys capturing the grandeur of historically significant buildings and educational spaces—places that house collections fostering learning and discovery. In parallel, her Daily Rituals series reveals the intimate poetry of everyday moments through photogravures where reflective surfaces become vessels for overlooked compositions. These surfaces capture fragments of their surroundings—fleeting reflections of spaces and moments in time that might otherwise pass unnoticed. Whether documenting monumental architecture or intimate domestic scenes, her work consistently uncovers the extraordinary within both institutional and everyday spaces. ​Lindsey has a work space at The Bluecoat Arts Centre, Liverpool

Etching (Aquatint, Drypoint, Carborundum)

Media Dimensions: 35 x 28 x 0.1 cm

Image Dimensions: 22 x 15 cm

Limited edition of 25

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Wilhelmina Peace is a Belfast-based visual artist and printmaker whose work explores myth, fairy tales and folklore as frameworks for examining transformation, identity and the inner landscape of the human psyche. Working across drawing, collage, etching, lithography and artists' books, she creates figurative works that draw upon dreams, memory and a personal symbolic language. Archetypal female figures recur throughout her practice as vehicles for exploring themes of metamorphosis, vulnerability, otherness and belonging. Informed by her background in cultural anthropology, Peace's practice is rooted in Surrealism and Symbolism, while also drawing inspiration from mysticism, spiritual traditions and outsider art. She is interested in the capacity of stories and symbols to express the emotional and psychological truths that form the fabric of human experience. Through the tactile, process-led nature of printmaking, she creates contemplative works that seek to re-enchant everyday experience and reveal the potent connections between inner and outer worlds.

Monoprint (Photo Etching)

Media Dimensions: 38 x 55 x 1 cm

Image Dimensions: 26 x 41 cm

Limited edition (with variations) of 50

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Ilona is a painter and printmaker living and working in London. She creates landscapes that emerge from observation, memory, and imagination, inviting viewers into abstract worlds rich with texture, colour, and light. She is continually drawn to trees, water, the sea, rain, sky, wind, sun, stars, and the human body - forms that speak to the elemental forces of nature and the wider universe. Thinking in light, colour, movement, and energy, she explores landscape as both a physical place and an emotional experience. Her paintings and prints celebrate nature in a non-linear, cyclical way, reflecting its rhythms of change, renewal, and interconnectedness while encouraging quiet contemplation and a deeper connection with the natural world. Ilona studied at Chelsea and St Martins School of Art, where she was awarded a QEST (Queen Elizabeth Scholarship Trust) Scholarship to support her experiments in animation. She has since established a dedicated painting and printmaking practice, working regularly at Artichoke Print Workshop in Brixton. Her work has been exhibited nationally and internationally, including at Blueshop Galleries (2025), the Awagami International Print Exhibition, Japan (2025), Lido Stores (2026), and the Royal Academy Summer Exhibition (2026). Her work is held in public and private collections.

Etching (Aquatint)

Media Dimensions: 30 x 32 cm

Image Dimensions: 20 x 22 cm

Limited edition (with variations) of 10

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Monoprint (Carborundum, Chine-collé)

Media Dimensions: 70 x 71 cm

Image Dimensions: 50 x 50 cm

Unique work

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Yuki Scholl is a Japanese artist based in London. Her work is inspired by the transient beauty of nature and the impermanence of everything that exists, whether it is the physical world or our thoughts, feelings and emotions. Through creating work, she seeks to capture the precious yet ephemeral moments in life. She uses various printing techniques which allow her to explore rich textures, shapes and nuanced colours. Every print she creates is unique as she uses multiple layers of hand mixed colours and torn pieces of paper on each print. The process of creating unique works in this way enables her to reflect and contemplate moments that can never be repeated. She studied Printmaking at Morley College and is a key-holder at Thames-Side Print Studio. She has exhibited at Woolwich Contemporary Print Fair consecutively since 2019 and was shortlisted for the Boodle Hatfield Award in 2021

Photo Etching

Media Dimensions: 30 x 30 cm

Image Dimensions: 20 x 20 cm

Limited edition of 25

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David Stone works out of his print studio in London. He graduated in 1978 from St Martin’s School of Art and has a degree in fine art painting. He works in photopolymer gravure and uses his own original digital imagery. His recent print making explores the quiet power of objects. Those that surround us, linger in memory, spark unexpected emotions, through association and the personal narratives that are embedded in the everyday. Above all, his goal is to create work that invites reflection in a light-hearted and thoughtful way. His prints have been exhibited at the Woolwich Contemporary Print Fair, the Bankside Gallery, and Royal Birmingham Society of Artist Gallery.