The Atmospherics
Immersive, moody, and deeply evocative, this trail celebrates prints that capture a sense of place, light, and emotion. From misty landscapes to abstract impressions, these works draw you in through subtle tone, texture, and atmosphere.
Booth …
Rebecca Holmes | Anchoress Hillside, 2025
The landscapes Rebecca depicts are recorded with charcoal, ink and photography. These elements are then collaged to resemble the recorded landscape but from a different perspective of place. The compositions often evolve into psychological landscapes. The metal plate becomes a site of translation, where drawing, collage and acid transform. The resulting works invite the viewer into a space of memory and abstraction in which the recognisable softens into ambiguous topographies with dream like surfaces, and geometric structures that serve as characters suggesting inner geographies and relationships that resist complete articulation.
Booth …
Hammer Chen | I need to lie down, 2024
Hammer (Chenxi) Chen is a Bristol and Shanghai-based artist whose practice spans printmaking, installation and video. She works between print studios and exhibition spaces internationally. Hammer’s work explores themes of memory and travel. Working primarily with copper photogravure etching, a rare process known for its rich tonal depth and archival qualities, she creates images that hover between documentation and recollection. The medium’s cinematic qualities evoke a sense of nostalgia, allowing her to explore how lived experiences are transformed through memory. Her images are not simply records of reality, rather, they are reconstructed memories shaped by personal experiences and collective narratives.
Booth …
Anna McDowell | Locus I, 2019
Anna McDowell's practice is predominantly engaged with printmaking and hand-embroidery. Moving between these modalities - one pressing the surface, the other piercing it - she puzzles through the subjects that recurrently preoccupy her: loss, language, the nature of time. Proceeding from these pillars of interest, many strands of enquiry unfold and find shape, resulting in bodies of work that are poetic and open-ended. In her printed work she frequently harnesses the found photographic image, driven by the medium's relationship to absence, looking and the passing of time..
Booth …
Amale Freiha Khlat | Blueprint of the Skies, 40.4895° N, 3.5643° W, (Madrid), 2025
Amale Freiha Khlat is a British/Lebanese artist based in London working across print, sculpture, painting, video and sound. Her art contemplates the theatre of the world through scenes and windows, playing with viewers’ senses, reminding them that looking is a relational act of selection and exclusion. Recurring figures include refugees, clouds, forests and carnival performers, staged and at times rendered invisible, reflecting on how visibility and concealment are politically and culturally constructed. Drawing on graphic design training and an engagement with literary and material history, her work moves between the conceptual concerns of printmaking and the spatial qualities of installation and performance..
Booth …
Francisco Gonzalez Camacho | Elysium #01, 2025
Francisco Gonzalez Camacho (b. 1990) is a Spanish visual artist currently based in Finland. Gonzalez Camacho's work presents a process-based approach interweaving photography and graphic printing methods, with Nordic nature as the central subject. Rooted in intuitive exploration, his practice explores themes such as materiality, immigration and the connectedness between landscape and self.
Booth …
Lindsey Moran | Open the Window, 2026
Lindsey’s work captures the impact of light across two distinct yet interconnected themes. She enjoys capturing the grandeur of historically significant buildings and educational spaces—places that house collections fostering learning and discovery. In parallel, her Daily Rituals series reveals the intimate poetry of everyday moments through photogravures where reflective surfaces become vessels for overlooked compositions. These surfaces capture fragments of their surroundings—fleeting reflections of spaces and moments in time that might otherwise pass unnoticed. Whether documenting monumental architecture or intimate domestic scenes, her work consistently uncovers the extraordinary within both institutional and everyday spaces.
Booth …
Inken Stabell | Winterreise - Die Krähe, 2021
Inken Stabell is a printmaker and illustrator with a focus on atmospheric zinc and copper etchings. Crafted through meticulous layering of line-etching, spray-painted aquatints and burnishing, Inken's etchings strike a delicate balance between classical refinement and expressive stylisation. While respecting ecological accuracy, Inken designs her images to capture the human experience of the sublime, althewhile celebrating the involving and challenging process of etching..
Booth …
Will Taylor | The Grange II, 2023
Will Taylor’s prints carry a traditional air: copper plate etchings that rely solely on line and cross‑hatch in monotone to conjure a wide range of tones. That same restrained, meticulous grammar defines the atmosphere of the places he evokes — hushed, measured environments where light and shadow are quietly worked into form. Topographical themes recur: coastal stretches and distant vistas that feel observed rather than staged, each view rendered with a clear narrative focus or a telling detail that anchors the scene. Even when compositions move toward bold figuration and extend beyond vernacular architecture, the mood remains one of attentive stillness, as if the world has been paused for careful inspection.
Booth …
Harshita Agarwal | Becoming / Negotiating, 2026
Harshita Agarwal (b. 2001, India) is a visual artist exploring the ever-changing relationship between humans and their geographic environments. Originally from Assam, India, and currently based in London, she is drawn to how we situate ourselves within landscapes, and to capturing the notion of change within them, how they shift, erode, and are reshaped over time. As a process-based artist, her work begins with site-based explorations, where experiments with the materiality of the land inform methods such as printmaking, mark-making, image-making, and mapping. She works across printmaking, installation, and mixed media, examining how landscapes are occupied, transformed, and lost over time. Having studied at LASALLE College of the Arts (2022) in Singapore, her practice expanded from ecological concerns to a broader investigation of colonial histories and land.
Booth …
Guy Dickinson | Cleveland Way II, 2025
Guy Dickinson is a multidisciplinary artist whose work explores the intersections between landscape, memory, and perception. Working primarily with photography, collage and mark-making, his practice is rooted in a deep engagement with place and process. A sustained meditation on movement, cycles and the ephemeral, it is at once an act of witnessing and a search for connection—between body and land, between memory and material..
